VERITAS
Existence never fully coincides with the form through which it manifests itself.
If the image is only a partial manifestation of what exists, truth too cannot be exhausted by what appears.
Veritas arises from this tension. Photography is not used to document reality, but to question its limits. Throughout the series, the stability of the image is progressively challenged: forms lose their certainty, matter dissolves, and the boundaries between presence and absence, identity and transformation, visible and invisible become increasingly uncertain.
Truth is not sought behind the image, as though a hidden reality were waiting to be uncovered. It emerges instead through the impossibility of any single form to contain it completely. What dissolves is not Existence itself, but the illusion that it can ever be definitively represented.
Each photograph becomes a threshold where the image relinquishes its descriptive certainty and opens a space for knowledge. Matter fragments, identities become unstable, and reality ceases to present itself as something fixed. Uncertainty is therefore not the absence of truth, but the condition through which its inexhaustible nature becomes perceptible.
Photography does not reveal a final truth. It makes visible the limit of every representation and, through that limit, allows us to perceive what continues to exist beyond what the image can contain.
The same condition belongs to art itself. Like Existence, an artwork never manifests itself completely to those who encounter it. What we see is only one of its possible manifestations: something always remains beyond the visible, continuing to emerge through every new encounter with the image.
Truth does not coincide with what we see. It inhabits what continues to manifest itself beyond every image.