MY ARTIST STATEMENT
My artistic research is guided by a single question:
How does Existence manifest itself?
For more than twenty years, this question has guided every project I have developed.
My research is not defined by the application of a method, but by the continuity of an intellectual inquiry. Photography is not the subject of this investigation. It is the language through which it becomes perceptible.
Although each project develops its own visual language, all remain grounded in the same inquiry and are sustained by a coherent visual grammar. Subtraction, addition, reconstruction, layering and every other perceptual methodology are not stylistic choices or technical effects. They are intentional artistic languages, developed to reveal what each investigation seeks to understand.
The projects developed throughout the years do not constitute separate bodies of work. Together they form a single research whose diversity reflects a fundamental conviction: no single visual language can fully investigate the complexity of Existence.
Throughout this journey I gradually recognised what I define as The Excess of the Image.
Every image contains a dimension that exceeds both what it represents and the intentions of its author. It establishes relationships, transforms perception and continues to generate meaning beyond what is immediately visible.
Photography therefore ceases to be a medium of representation. It becomes an intellectual instrument through which perception itself can be questioned, allowing different manifestations of Existence to emerge.
My works are conceived not simply as photographs, but as experiences capable of entering into dialogue with those who encounter them and with the spaces they inhabit. Within this dialogue, the work does not simply inhabit a space; it transforms the perception of that space.